{"owns":false,"resource":{"model_name":"user","id":6331,"name":"Cecilia Vicuña Ramirez","created_at":"2015-05-22T06:28:30.000Z","country":"Chile","duration":"27 Jul, 1948","profession_kinds":[{"slug":"artista","name":"Artista","id":3485,"taggings_count":62117}],"avatar_60":"/assets/fallback/square_60_default-f596c19b8274188a2f6eadcdb8fc2f671b34091eff3072d78991f2e0edeee760.jpg","avatar_200":"/assets/fallback/square_200_default-f596c19b8274188a2f6eadcdb8fc2f671b34091eff3072d78991f2e0edeee760.jpg","image_thumb":"/assets/fallback/square_200_default-f596c19b8274188a2f6eadcdb8fc2f671b34091eff3072d78991f2e0edeee760.jpg","image_resize":"/assets/fallback/square_200_default-f596c19b8274188a2f6eadcdb8fc2f671b34091eff3072d78991f2e0edeee760.jpg","image_large":"/assets/fallback/square_500_default-f596c19b8274188a2f6eadcdb8fc2f671b34091eff3072d78991f2e0edeee760.jpg","website_list":"\u003ca target=\"blank\" class=\"text-brake\" href=\"http://www.ceciliavicuna.com\"\u003ehttp://www.ceciliavicuna.com\u003c/a\u003e","description":"\u003cp\u003ePoeta, artista y cineasta nacida en Santiago de Chile, l948\u003cbr\u003eEstudió en la Escuela de Bellas Artes, Universidad de Chile, Santiago, l966-l971\u003cbr\u003ePostgrado en la Slade School of Fine Arts, University College, London. \u0026nbsp;l972-73\u003cbr\u003eReside en Nueva York desde l980.\u003c/p\u003e\u003cp\u003e\u003cstrong\u003ePremios y Honores\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e\u0026nbsp;\u003c/strong\u003e2017 \u0026nbsp; \u0026nbsp; \u0026nbsp; -Invitada a documenta 14, Atenas, Grecia y Kassel, Alemania\u003c/p\u003e\u003cp\u003e2015 \u0026nbsp; \u0026nbsp; \u0026nbsp; -Messenger Lecturer, Cornell University.\u003c/p\u003e\u003cp\u003e2014 \u0026nbsp; \u0026nbsp; \u0026nbsp; -SLAS Spring 2014 Scholar in Residence at The Department of Humanities and Media Studies at Pratt Institute, New York.\u003c/p\u003e\u003cp\u003e2013 \u0026nbsp; \u0026nbsp; \u0026nbsp; -Segundo Premio PEN 2013 al mejor libro de poesía en traducción al inglés por su libro Spit Temple, Selected Performances of Cecilia Vicuña, edited by Rosa Alcalá.\u003c/p\u003e\u003cp\u003e2011 \u0026nbsp; \u0026nbsp; \u0026nbsp; -Sello de Excelencia, Consejo de las Artes y la Cultura de Chile.\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp;-Premio Fondart (Cultura Inmaterial) por su proyecto\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \"Tugar Tugar Salir a Buscar el Sentido Perdido\", en Caleu, Chile.\u003c/p\u003e\u003cp\u003e2009 \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp;-Estelle Lebowitz Visiting Artist-in-Residence at the The Mary H. Dana Women Artists Series of the Institute for Women and Art (IWA) at Rutgers University.\u003c/p\u003e\u003cp\u003e2005 \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; -Phipps Chair in Creative Writing, University of Denver\u003c/p\u003e\u003cp\u003e2004 \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; -Mac Dowell Colony Residency, temporada de verano.\u003c/p\u003e\u003cp\u003e2003 \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; -Bellagio Study Center Residency, RockefelleR Foundation, Italy\u003c/p\u003e\u003cp\u003e2002 \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; -Hedda Sterne Foundation Residency Award\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp;-Pennies from Heaven Award, New York Trust\u003c/p\u003e\u003cp\u003el999 \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; -The AnonymousWas aWoman Award, New York\u003c/p\u003e\u003cp\u003el995-96 \u0026nbsp; \u0026nbsp; -The Fund for Poetry Award, New York\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; -Lee Krasner-Jackson Pollock Award, New York\u003c/p\u003e\u003cp\u003el992 \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; -Arts International Award, Lila Wallace-Reader’s Digest Fund.\u003c/p\u003e\u003cp\u003el988 \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp;-Invitadaa The Art Olympiad, Seoul by the Guggenheim Museum of New York, declinó.\u003c/p\u003e\u003cp\u003el985 \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp;-Human Rights Exile Award, Fund for Free Expression, New York.\u003c/p\u003e\u003cp\u003el983 \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp;-LINE II Award para el libro Precario/Precarious, New York.\u003c/p\u003e\u003cp\u003el972 \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp;-British Council Scholarship in the United Kingdom.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003eMuestras de arte individuales\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e\u0026nbsp;\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e2017 \u0026nbsp; -Cecilia Vicuña: About to Happen, Contemporary Arts Center, New Orleans, traveling to the ICA, Philadelphia, Berkeley Art Museum, The \u0026nbsp; \u0026nbsp; Henry Art Gallery, University of Washington, Seattle.\u003c/p\u003e\u003cp\u003e2015 \u0026nbsp; \u0026nbsp;-NO QUIPU, NO BOOK, Woodland Pattern Book Center, Milwaukee, Wi, U.S.A.\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; -DIANNA FRID AND CECILIA VICUÑA: A TEXTILE EXHIBITION, Poetry Foundation, Chicago, U.S.A.\u003c/p\u003e\u003cp\u003e2014 \u0026nbsp; \u0026nbsp;-Artists for Democracy: El Archivo de Cecilia Vicuña, Museo de la Memoria y los Derechos Humanos, y Museo Nacional de Bellas Artes, Santiago, Chile.\u003c/p\u003e\u003cp\u003e2013 \u0026nbsp; \u0026nbsp;-Cecilia Vicuña, England \u0026amp; Co, London.\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; -Les Immémoriales, Frac Lorraine, Metz, France\u003c/p\u003e\u003cp\u003e2012 \u0026nbsp; -Aural, Galería Patricia Ready, Santiago, Chile.\u003c/p\u003e\u003cp\u003e2009\u0026nbsp;-Water Writing: Anthological Exhibition, 1966-2009,\u0026nbsp;Institute for Women \u0026amp; Art, Rutgers University, U.S.A.\u003c/p\u003e\u003cp\u003e2009 \u0026nbsp; -La Noche de las Especies, El Gran Vidrio, Valparaíso, Chile\u003c/p\u003e\u003cp\u003e2008- Parti Si Pasión, Metales Pesados, Santiago Chile\u003c/p\u003e\u003cp\u003e2007 \u0026nbsp; -Otoño, Reconstrucción Documental, Museo Nacional de Bellas Artes, Santiago, Chile.\u003c/p\u003e\u003cp\u003e2002-Dissolving, Threads of Water and Light, with César Paternosto, The Drawing Center, New York, NY, USA\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; -Thread Mansion, The Boulder Museum of Contemporary Art, Boulder, CO, USA.\u003c/p\u003e\u003cp\u003e2001 \u0026nbsp; \u0026nbsp;-Book No Book, an anthological exhibition of artist’s books by Cecilia Vicuña, Woodland Pattern Book Center, Milwaukee, WI, USA\u003c/p\u003e\u003cp\u003e2000 \u0026nbsp; \u0026nbsp;-Se mi ya, site specific installation, Galería Gabriela Mistral, Ministerio de Educación, Santiago, Chile\u003c/p\u003e\u003cp\u003e1999 \u0026nbsp; \u0026nbsp;- Cloud-net, a site specific installation, \u0026nbsp;Hallwalls Contemporary Arts Center, Buffalo, NY, USA\u003c/p\u003e\u003cp\u003e1997 \u0026nbsp; \u0026nbsp;-K’isa, a site specific installation at the University of Massachusetts, University at Dartmouth, MA, USA\u003c/p\u003e\u003cp\u003el996 -Precario, a site specific installation, atInverleith House, \u0026nbsp;the Royal \u0026nbsp;Botanical Gardens, Edinburgh, Scotland\u003c/p\u003e\u003cp\u003e1994 -Ceq’e Fragments , a site specific installation at the Center for Contemporary Arts, Santa Fe, NM, USA\u003c/p\u003e\u003cp\u003el992 -El Ande Futuro, a site specific installation at theUniversity Art Museum, Berkeley, CA, USA\u003c/p\u003e\u003cp\u003el990 -Precarious, \u0026nbsp;a site specific installationat the Exit Art Gallery, New York, \u0026nbsp;NY, USA\u003c/p\u003e\u003cp\u003el977 -Homenaje a Vietnam, \u0026nbsp;Fundación Gilberto Alzate Avendaño, Bogotá, \u0026nbsp;Colombia\u003c/p\u003e\u003cp\u003el974 -A Journal of Objects, \u0026nbsp;400 Precarious Objects, Arts Meeting Place, London, UK\u003c/p\u003e\u003cp\u003el973 -Pain Things \u0026amp; Explanations, \u0026nbsp;Institute of Contemporary Arts, London, UK\u003c/p\u003e\u003cp\u003el971 -Pinturas Poemas y Explicaciones, \u0026nbsp;Museo Nacional de Bellas Artes Santiago, Chile \u0026nbsp;\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp;-Otoño, Museo Nacional de Bellas Artes, Santiago, Chile\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003eSu obra visual se encuentra en las colecciones:\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp;-Tate Gallery, London.\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp;-Frac Lorraine, France.\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp;-Museo de Arte Contemporáneo, Chile.\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp;-Museo Nacional de Bellas Artes, Chile.\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp;-Berkeley Art Museum, California.\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp;-Jack S. Blanton Museum of Art, University of Texas at Austin\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e\u0026nbsp;\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u003cstrong\u003eCuradurías realizadas por Cecilia Vicuña\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; -Painted Ideas, Visual Poetry from Latin America, Cecilia de Torres Gallery, New York, Sept-Nov 2009\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003eMuestras colectivas\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e2017 \u0026nbsp; -Documenta 14, Athens, Greece, Kassel, Germany\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp;-Movimientos de tierra, Museo Nacional de Bellas Artes, Santiago, Chile\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp;-La timidité des cimes (The shyness of the crowns), Frac Lorraine, France\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp;-Radical Women: Latin American Art. 1960-1985, Hammer Museum, LosAngeles\u003c/p\u003e\u003cp\u003e2016 \u0026nbsp; - Strange Oscillations and Vibrations of Sympathy, University Galleries, Illinois State University\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; -Una imagen llamada palabra, Centro Nacional de Arte Contemporáneo, Cerrillos, Chile\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; -Archivo CADA, Museo Nacional Centro de Arte Reina Sofía, Madrid\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; -Embodied Absence: Ephemerality and Collectivity in Chilean Art from the 1970s\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; Carpenter Center for the Visual Arts, Harvard University.\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; -La emergencia del pop. Irreverencia y calle en Chile, Museo de Solidaridad Salvador Allende, Chile.\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; -A Kingdom of Hours, Gasworks, London\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; -Wild living resources belong to society as a whole, Kurant, Norway\u003c/p\u003e\u003cp\u003e2015 \u0026nbsp; -Agitprop!, Brooklyn Museum, New York\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; -Poema de Chile. La Escritura sólo se acaba con la muerte. Sala Museo Gabriela Mistral, Universidad de Chile, Santiago.\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; -The Book Undone: Thirty Years of Granary Books. Columbia University Rare Book \u0026amp; Manuscript Library\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; -Wir sind Utopia: el artista como activista, Matucana 100, Santiago, Chile.\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; -Embodied Absence: Ephemerality and Collectivity in Chilean Art from the 1970s, Museo de la Solidaridad Salvador Allende (MSSA), Santiago, Chile\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; -So You Want To See, e-flux, New York.\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; -La Buena Estrella, OTR Espacio, Madrid\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; -Nothing to Hide, Kinz \u0026amp; Tillou Gallery, New York.\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; -Mestizo, Identidad y Resistencia, Centro Cultural de Las Condes, Chile\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp;2015-Embodied Absence, Ephemerality and Collectivity in Chilean Art in the 70's, Museo dela Solidaridad Salvador Allende, Santiago, Chile, Septiembre, viajaCarpenter Center, Harvard University, 2016.\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp;- DUMP! MULTISPECIES MAKING AND UNMAKING, Kunsthaal Aarhus, Dinamarca.\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; -So You Want To See, e-flux, New York.\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp;-La Buena Estrella, OTRO Espacio, Madrid\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp;-Nothing to Hide, Kinz \u0026amp; Tillou Gallery, New York. \u0026nbsp; \u0026nbsp; \u0026nbsp;\u003c/p\u003e\u003cp\u003e2014 \u0026nbsp; \u0026nbsp;-artevida, Casa França-Brasil and Museu de Arte Moderna do Rio de Janeiro, Brazil\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; -Really Useful Knowledge\u003cstrong\u003e\u0026nbsp;\u003c/strong\u003eorganized by WHW, traveling to Cairo, Beirut, Vienna, Museo Reina Sofía, Madrid. \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp;\u003c/p\u003e\u003cp\u003e2013-Artists from Latin America in London from l96x-l97x\u0026nbsp;David Roberts Art Foundation, London.\u003c/p\u003e\u003cp\u003e2012 -\u0026nbsp;18th Sydney Biennale, \"all our relations\",\u0026nbsp;Australia\u003c/p\u003e\u003cp\u003e2011–DANCE/DRAW, The Institute of Contemporary Art, Boston. \u0026nbsp;\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; - re.act.Feminism vol II, a Performing Archive 2011-2013 travelling to: Centro Cultural Montehermoso, Vitoria-Gasteiz, Spain, Galerija Miroslav Kraljević, Zagreb, CroatiaWyspa Institute for Art, Danzig,PolandMuseum of Contemporary Art, Roskilde, DenmarkTallinn Art \u0026nbsp; \u0026nbsp; \u0026nbsp;Hall, Estonia, Fundació Antoni Tàpies, Barcelona, SpainAkademie der Künste, Berlin, Germany\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; -Chile, años 70 y 80 memoria y experimentalidad, Museo de ArteContemporáneo MAC Universidad de Chile, Santiago\u003c/p\u003e\u003cp\u003e2010 –ONLINE, Drawing Through the Twentieth Century, MoMA, Museum of Modern Art, New York.\u003c/p\u003e\u003cp\u003e2009- Subversive Practices Art under Conditions of Political Repression 60’s - \u0026nbsp;80s South America and Europe, at the\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; sWürttembergischer Kunstverein Stuttgart\u003c/p\u003e\u003cp\u003e2007 \u0026nbsp; -WACK! Art and the Feminist Revolution, The Museum of Contemporary Art, Los Angeles, CA, USA\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; -Wack! The Museum of Contemporary Art, Los Angeles, CA, USA\u003c/p\u003e\u003cp\u003e2006-Multiplication, Museo de Arte Contemporáneo, Santiago, Chile\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp;- Del Otro Lado, Centro Cultural Palacio de La Moneda, Santiago, Chile\u003c/p\u003e\u003cp\u003e2005 \u0026nbsp; -Gabinete de Lectura, Museo Nacional de Bellas Artes, Santiago, Chile\u003c/p\u003e\u003cp\u003e2004 \u0026nbsp; \u0026nbsp;-Fishing in International Waters: New Acquisitions from the Latin American Collection, Jack S. Blanton Museum of Art, University of Texas at Austin, Austin, TX, USA\u003c/p\u003e\u003cp\u003e2003 \u0026nbsp; \u0026nbsp;- Promoción Popular, Centro Cultural Matucana, Santiago, Chile\u003c/p\u003e\u003cp\u003e2002 \u0026nbsp; \u0026nbsp;-Rayuela/Hopscotch, Fifteen Contemporary Latin American Artists, University Art Gallery, The University of Scranton, PA, USA\u003c/p\u003e\u003cp\u003e2001 \u0026nbsp; \u0026nbsp;-Abstraction, The Amerindian Paradigm, Palais des Beaux Arts, Brussels, travelled to IVAM, Institut Valencia d’ Arte Modern, Spain\u003c/p\u003e\u003cp\u003e2000 \u0026nbsp; \u0026nbsp;-Quotidiana, Castello di Rivoli, Italy\u003c/p\u003e\u003cp\u003e-Transferencia y Densidad, 100 años de Artes Visuales en Chile, Museo Nacional de Bellas Artes, Santiago, Chile\u003c/p\u003e\u003cp\u003el998 \u0026nbsp; \u0026nbsp;-North \u0026amp; South Connected, Cecilia de Torres Gallery, New York, NY, USA\u003c/p\u003e\u003cp\u003el997 \u0026nbsp; \u0026nbsp; -BIENNIALExhibitionat the Whitney Museum of American Art, New York, NY, USA\u003c/p\u003e\u003cp\u003el996 \u0026nbsp; \u0026nbsp; -INside the VISIBLE curated by Catherine M. de Zegher, Institute of \u0026nbsp;Contemporary Arts, Boston, MA, USA.\u003c/p\u003e\u003cp\u003el994 \u0026nbsp; \u0026nbsp;- ar-ti-cu-la-te, Mary Delahoyd Gallery, New York, NY, USA\u003c/p\u003e\u003cp\u003el992 \u0026nbsp; - America, The Bride of the Sun, 500 years of Latin American Art, curated by Catherine M.Zegher and Paul Vandenbroeck, Royal Museum of \u0026nbsp; \u0026nbsp;Antwerp, Belgium\u003c/p\u003e\u003cp\u003e1991 \u0026nbsp; “Efecto de Viaje”, Trece Artistas Chilenos Residentes en Nueva York, curated by Justo Pastor Mellado, Museo Nacional de Bellas Artes, Santiago, Chile\u003c/p\u003e\u003cp\u003el990 \u0026nbsp; \u0026nbsp; “The Decade Show”, The New Museum, New York, NY, USA\u003c/p\u003e\u003cp\u003el988 \u0026nbsp; \u0026nbsp; “The Debt”, Exit Art Gallery, New York, NY, USA\u003c/p\u003e\u003cp\u003el987 \u0026nbsp; \u0026nbsp; “Latin American Artists in New York since l970”, Archer M. Huntington Gallery, University of Texas at Austin, Austin, TX, USA\u003c/p\u003e\u003cp\u003el986 \u0026nbsp; \u0026nbsp; “Segunda Bienal de la Habana”, Havana, Cuba\u003c/p\u003e\u003cp\u003el984 \u0026nbsp; \u0026nbsp;“Latin American Visual Thinking”, Art Awareness Gallery, Lexington, New York, NY, USA\u003c/p\u003e\u003cp\u003el983 \u0026nbsp; \u0026nbsp; “Chilenas”, Kunsttamtes Kreuzberg, Berlín\u003c/p\u003e\u003cp\u003el982 \u0026nbsp; \u0026nbsp; “Women of the Americas”, Center for Inter American Relations/Americas Society, New York, NY, USA\u003c/p\u003e\u003cp\u003el981 \u0026nbsp; \u0026nbsp; “Latin American Video”, Museum of Modern Art, New York, NY, USA\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp;“Ikon \u0026amp; Logos”, Alternative Museum, New York, NY, USA\u003c/p\u003e\u003cp\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; “INBO Bienal”, Cochabamba, Bolivia\u003c/p\u003e\u003cp\u003el974 \u0026nbsp; \u0026nbsp; \u0026nbsp; “Arts Festival For Democracy in Chile”, Royal College of Art, London, UK\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003eCatálogos de arte\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e-Artists for Democracy: El Archivo de Cecilia Vicuña, Museo de la Memoria y los Derechos Humanos, Museo Nacional de Bellas Artes, Santiago, Chile 2014.\u003c/p\u003e\u003cp\u003e-Cecilia Vicuña, England \u0026amp; Co, London 2013\u003c/p\u003e\u003cp\u003e-\u0026nbsp;Cecilia Vicuña, l966-2012,\u0026nbsp;Galería Patricia Ready, Santiago, Chile, 2012.\u003c/p\u003e\u003cp\u003e-Water Writing: Anthological Exhibition, 1966-2009,\u0026nbsp;Institute for Women \u0026amp; Art, Rutgers University, 2009\u003c/p\u003e\u003cp\u003e-Otoño/Autumn,\u0026nbsp;Reconstrucción Documental, Junio 1971/Agosto 2007\u003c/p\u003e\u003cp\u003eMuseo Nacional de Bellas Artes, Santiago, Chile.\u003c/p\u003e\u003cp\u003e-Dis solving threads of water and light\u0026nbsp;César Paternosto/Cecilia Vicuña, Drawing Papers #34, The Drawing Center, New York, 2002\u003c/p\u003e\u003cp\u003e-Semiya, Galería Gabriela Mistral, Ministerio de Educación, Chile, Abril 2000\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e","statement":"","url":"/people/cecilia-vicuna-ramirez"},"online":false,"definitions":{"artworks":{"relation_type":"ArtWork","per":4},"events":{"relation_type":"Event","per":4},"institutions":{"relation_type":"Institution","per":4},"publications":{"per":4,"relation_type":"Publication"}}}